Oct 05
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Sep 20
Megan Fox Always Knows What to Do For The Camera
Once again here are some awesome Megan Fox images that are sure to get you hard. She’s just heading over to her car looking like a regular chick. Something about it makes it hotter than usual though, it might be her licking her lips and sticking that slutty tongue out that gets me so turned on, but I guess we’ll never know exactly. If you’re interested in getting the hottest celeb content on the internet you need to visit the number one place for everything Hollywood, and get the hottest nude celeb pic and raw fuck tapes inside of Celeb Taboo.
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Sep 11
The Hangover
Sometimes the title of a movie can sell itself, or at the very least pique a viewer’s interest. Director Todd Phillip’s new comedy The Hangover does this and more by introducing an infinitely relatable premise and infusing it with a clever story to keeps the gimmick supported for the duration. While providing the requisite raunch, stupidity and laughs, The Hangover is bolstered more by its puzzle piece narrative then by straight up humour. The mark of a good comedy is one that can keep your interest in between the laughs; be it by human drama, character development or in this case, a meandering riddle.What do we really know about a hangover? We know we have one, and we know we drank too much. Often everything before, after and in-between can be a blur at best, and for three friends, Phil, Stu and Alan they certainly got the worst. Travelling to Las Vegas for a night of sin, gin and wins to celebrate their friend Doug’s (Justin Bartha) bachelor party they awaken the next morning to find their hotel room a tad dishevelled, a tiger in their bathroom, their memories wiped clean and their groom to be MIA. Playing the three worried bros respectively are Bradley Cooper as the bored-with-his-life school teacher, Ed Helms as the neurotic dentist and Zach Galifanakis as the awkward weirdo and soon to be brother in law of Doug. So unfolds the mystery; trying to find their missing friend before the wedding by piecing together the clues of their epic night out.For me the standout of the group was certainly Ed Helms. He plays the role straight, he is likable and he is funny. His characters arc is the most complete and entertaining and he certainly grounds his wilder counterparts nicely. The other players are certainly funny, yet the characters of Phil and Alan are not fully likable. Cooper’s Phil is a bit of a prick and Alan is flat out creepy. That aside the actors put forward such commendable efforts all is soon forgotten and the quick pace and continual humour keeps things fast, fun and frantic.As promised by the trailers, we get a cameo from the Mike Tyson who is funnier for being himself then for his actual performance, darting in an out with a great supporting performance is heather Graham as an escort and Mike Epps makes good use of his time as quote ‘Black Doug’. More hilarious yet is a closing cover for rapper 50 Cents’ Candy Shop which is as inspired as it is hilarious. The Hangover is certainly one of those comedies that is re-watchable, and likely to improve with repeat viewings. However it is probably a good thing actual hangovers are not this much fun; I’d rather die of laughter then alcohol poisoning.
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Sep 10
L’Idole
The Idol is an interesting mix that comes together into a stunning flick. An Australian director working in France for the first time (in French language) with two American lead actors (one of whom apparently didn’t speak any French when cast) and a script worked on by veteran scriptwriter Gerard Brach (Jean De Florette, The Name Of The Rose) could have been a mess but instead Samantha Lang has crafted a beautifully moving and delicate drama.Brief plot outline, no spoilers: The lives of the residents of a French apartment block are disrupted by the arrival of a young Australian woman (Sobieski), a struggling theatre actress. Her neighbour is an elderly Chinese man respected by the other residents, who is considering moving into a retirement community.The two are drawn together through their loneliness and a touching grandfather-granddaughter sort of relationship develops between them, reminiscent of that in Kieslowski’s Three Colours:Red.The triumph of the clip is the performances of the two lead actors. James Hong, given the chance to shine in a rare lead role, tackles the character and the language with an expert pitch, embuing Mr Zao with an almost mystical quality. He is both a man you wish you knew and a tragic figure that you want to comfort and care for.Equally impressive is Sobieski displaying an acting talent that she has rarely demonstrated in her recent poor choices of role in generic American thrillers like The Glass House. At first all smouldering eyes and wry smiles she also grows over the course of the mpeg into a sympathetic and tragic figure, allowing the audience to truly care what happens to both these characters and understand the deep core of loneliness that brings them together despite their differences.The supporting actors also flesh out strong characters. Veteran French actor Jean-Paul Roussillon provides humour as the drunken upstairs neighbour who must sneak cigarettes from Mr Zao so that his interfering wife doesn’t know he is smoking. While Marie Loboda as Caroline, a little girl who lives in the building (and bears a striking resemblance to Emmanuelle Beart) exudes innocence and charm. Both these characters also undergo changes as their jealousy of the relationship formed between Zao and Sarah (Sobieski) overcomes them.The only negative, and it is a small one, is that the score by Oscar winning composer Gabriel Yared (The English Patient, Betty Blue), while a amazing Woody-Allenesque jazz style, seems a little out of place with this flick which often seems to be creating emotions that are in conflict to those the music suggests.The photography matches the story in its quiet mood and, along with the gallery design and locations adds a sense of loneliness to the clip that draws you to the characters for comfort as well and therefore makes their lives all the more important to you. A particularly well played and haunting dream sequence will stay with you long after your first viewing of the flick.I say first viewing because you will want to revisit these characters and return to see this expertly measured movie all over again. A tender tale of loneliness and the gentle love that can exist between two people this is a must see for anybody who wants to be moved or appreciate fine acting and a delicate unrushed story. Truly wonderful flick-making.
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Aug 30
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